We see photographs everyday, and many in experience of advertising. Photos of beautiful landscapes which people cannot identify aren’t interesting to buyers at a skill fair. For instance, I reside in Naples, Florida. I’ve visited dozens of art fairs and something rings true everytime: Rarely do buyers purchase a beautiful photograph of a beach scene unless they know where in actuality the scene is. They would like to buy local photographs of local places. They would like to feel linked to the photograph. A “generic” landscape photo which the customer doesn’t identify with should be described as a $2 poster at WalMart. The first lesson to understand would be to take photos of local scenery. What’re people in your town proud of? The beautiful mountains surrounding the town? The pier venturing out in to the bay? The downtown lights at The holiday season? Every town has something beautiful. Remember, though, that you’ll have to photograph that scene in ways they wouldn’t view as plain or ordinary. Dress the scene up in beautiful light and ensure it is dramatic peter lik prints.
If you plan on showing your work off, you need to be ruthless. Be ruthless with yourself. Take your entire absolute best images and put them in one folder in your computer. Look over each image and consider, “Would this image’wow’someone who found it for the very first time and who had been not there to begin to see the scene first hand?” If the answer is no, then take it out of your art show. If the answer is yes, then choose 10 of your pals who’ve the smallest amount of tact and ask them if they are “wowed.” Photography is subjective, so you’ll receive conflicting answers, but remember…if it doesn’t wow them, you can find 10,000 other images to select from. Including “less-than-wow” images in your gallery will drag down the perceived value of your art click here.
You might be proud of the technical perfection of your images, and your photo club may be proud, but the average small-time art buyer just doesn’t care. The simple truth is that buyers purchase whatever strikes them as beautiful, and simply do not care if a picture has technical imperfections. The client just doesn’t care if you use a 1D Mark IV or perhaps a Canon Rebel XT. The proof is in the pudding view this site.
So where are you going to sell your neighborhood art work photography? A couple of things you might try are art fairs (if you can’t see them, you aren’t looking, as they are EVERYWHERE), placing your work in coffee shops free of charge to decorate their shop and then have a ticket on each image for folks to purchase, or submitting articles to your neighborhood paper with a link to your website.